Melissa Anderson on Come Back, Africa!

ARTFORUM

Come Back, Africa is filled not only with the sounds of Makeba’s mellifluous vocals but also those of the bands of boys in short pants and newsboy caps playing penny-whistles and the street buskers plinking out “(Let Me Be Your) Teddy Bear.” Rogosin’s ruse that he was making a musical turned out to be partly true; yet no audio in Come Back, Africa is as piercing—or unshakable—as the keening heard in the closing minutes.

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